The Hollow Core: On the Overrated Virtue of Consistency
There is a piece of publishing advice so deeply ingrained, so foundational, that to question it feels like architectural sabotage. It is the gospel of consistency. We are told to post on the same day, at the same time. To hone a singular, unmistakable voice. To deliver content that fits neatly within a predictable box, lest we confuse the algorithm and, by extension, our audience. Build a brand, they say, and a brand is nothing if not coherent. I want to suggest that this unyielding pursuit of consistency is, more often than not, a well-intentioned path to creative sterility. It builds a recognizable cage, but it silences the very thing that makes a voice worth recognizing in the first place: its capacity for surprise.
The argument for consistency is rooted in a mechanical view of the reader’s mind. Like a rat trained to press a lever for a pellet, the audience, we’re told, develops a habit. The Tuesday morning essay, the Friday afternoon link roundup. This regularity is supposed to build trust. But this reduces the reader to a passive consumer of product, not an engaged participant in a conversation. True loyalty isn’t born from predictability; it’s forged in the spaces between expectation and revelation. It’s the writer who occasionally deviates from the schedule to publish something urgent and raw, or who pivots to explore a fascinating, off-topic tangent, who reminds us they are a thinking, feeling human, not a content dispenser.
The Tyranny of the Unchanging Voice
Worse than the tyranny of the schedule is the tyranny of the unchanging voice. Many writers, having found a tone that resonates—witty, acerbic, gently philosophical—cling to it like a life raft. They sand down the rough edges of a new thought until it fits the familiar mold. The result is a body of work that is impressively uniform and utterly bloodless. A person’s voice should be a living thing, shaped by what they read, whom they meet, what they lose. The voice you cultivate at thirty should not be identical to the one you use at fifty, if you are paying any attention to the world. To force it into a pre-defined box is to perform a kind of self-imposed taxidermy.
Consider the magazines and authors we return to for decades. Their appeal is not that they are always the same, but that they are always themselves, even as that self evolves. They trust us, the readers, to follow them down unfamiliar paths. This requires a pact of mutual respect that transcends the simplistic logic of brand management. It says: I trust you enough to be complicated, and I hope you trust me enough to come along. The audience that stays with you through a shift in tone or topic is an audience you have earned, not one you have merely retained.
This isn’t an argument for chaos or careless publishing. It is an argument for integrity over consistency. Let your internal compass—your genuine curiosity, your unresolved questions, your changing perspectives—dictate the rhythm and texture of your work. If that means a flurry of posts one month and silence the next, so be it. If it means your writing style becomes more sparse where it was once ornate, let it. The core of your work should not be a hollow, rigid vessel of consistency, but a solid, shifting center of authentic engagement. The readers who matter will not be scared away by growth. They will be there because of it.
Notes & further reading
A few pages I came back to while writing this:
- Aurora, IL
- The Flaubertian Scrapbook: On the Unlikely Research Behind 'Madame Bovary'
- Chicago, IL
- The Unmarked Door: On the Moment You Stop Writing for Yourself
- Joliet, IL
- The Silent Partner: On the Unwritten Text That Shapes the Reader's Journey
- Rockford, IL
- Indianapolis, IN
- Kansas City, KS
- Olathe, KS
- Overland Park, KS
- Topeka, KS
- Lexington, KY